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It also captures all of his tones, as it manages to be serious, frivolous, funny and bleak, often all on one page. Finally, just to note my page references are from the 2008 Vintage UK softcover edition, and all my references to secondary works are cited at the end of my analysis section. They correspond, exchange photos and the narrator becomes infatuated with a picture of Sensini’s daughter, Miranda. Bolano has a habit of mixing in elements of the real, the altered and the imagined into his work. On a whim and in need of cash, he enters a literature competition and, through this, meets Luis Antonio Sensini, an older Argentinian writer who also submitted a story.

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